That Gender Equality Bullshit II
Pick A Struggle, Biko.
Before I proceed, look at this picture:
To provide context, that is one of the promotional posters for X-Men: Apocalypse, one of the worst X Movies I have ever seen.
But that’s not the point.
The big guy is En Sabah Nur aka Apocalypse, the guy hailed as the first mutant. In his hand is Mystique, a female shape-shifting mutant. They are on opposite sides of the war, which is why he would be choking her
That poster raised the ire of some ‘feminists’ and ‘human rights groups’.
It promotes violence against women.
It isn’t a lie, is it? Why would anyone want to promote a movie by having a man wrap his hand around the throat of a woman? Isn’t that what they/we’re fighting for?
It is wrong, right?
But; aren’t we supposed to be fighting for gender equality? Those two up there aren’t friends; neither are they lovers. They are people on opposite sides of a war; and in war there are casualties of both sexes, aren’t there?
Someone should have told those hot-blooded feminists; context is everything.
I mean, if she was given preferential treatment because she’s female, that would be sexism, wouldn’t it? He treats her the same way he would treat her male counterparts, it’s violence against women. It’s like asking that female soldiers be shot with special bullets – just because they’re female.
You see why people like me often find feminism confusing? Pick a struggle, biko.
That was just the intro; I said that to say this:
A few weeks ago, it was announced that Dr. Who, that British Time Lord who has thrilled English people (and people worldwide) for decades will be portrayed in its thirteenth incarnation by a female. Of course, a number of reactions trailed the news. I wasn’t bothered however, because I know the history of the character. The Time Lord is supposed to be genderless; it was written into the show to allow for continuity in spite of time and explain the change of actors. In fact, I honestly wonder(ed) why it took so long. It’s been coming since forever.
Around the same time, gist about some ‘Women Liberation Front’ People agitating for a female James Bond surfaced. The first I heard of it, it was because Chris Hemsworth had seen Atomic Blond, that Charlize Theron movie and said she would be an amazing Bond. Honestly, I’m pretty much indifferent to the dude. He’s cute but can’t act for shit. That said, I was disappointed. I mean, I would expect him know better.
I’m sure he was trying to pay her a compliment – but he didn’t think it through. If he had, he would have realized agitating for a female Blond is not a compliment to Charlize, neither is it a fight for equality; it’s appropriating a well-known male figure and forcing him into a female mold.
Now let me ask you; why would you want to do that? Is that you don’t think female characters are strong enough – therefore only by appropriating what has been male for so long is the only way to make women relevant? Don’t you know that by doing stuff like that, you’re actually being sexist?
As an aside; I love Kemi Adetiba to death – but the title of her show/program King Women is something I frown at. I love the show, I’m a fan of several of the women who have been on it – but that title is the summation of everything wrong with that side of the ‘gender equality’ war; women can’t achieve greatness on their own pedestal (Queens Regnant; that is – ask Google), they have to come into the men’s arena (Kings).
Or maybe I don’t understand the thinking behind the title ‘King Women’. I stand corrected.
Remember Lara Croft? How about Salt? How about that great lady, Agatha Christie’s (debatably) greatest creation; Miss Marple? How about Wonder Woman? How about Major Motoko Kusanagi of Ghost in the Shell? How about Linda Ikeja? Genevieve? Sally Kenneth Dadzie? Tomi Adesina? Ogechi Nwobia? Elsie? Joy Isi Bewaji? Beyonce? Melissa Macarthy? Angelina Jolie? Scar Jo (even though I don’t think much of her acting skills)? Ellen Degeneres? Can’t you be great, successful, fucking wealthy and be utterly, undeniably female? Honestly, this kind of thinking is the bane of gender equality – because whether you know it or not, you’re saying there’s no value in being female; there’s something wrong with being female. Like; once you have a vagina, you’re doomed; and the only way out is to try to be male.
It’s the same thinking that makes people ascribe the success of Wonder Woman to ‘GIRLS ROCK!’ and not an amazing character given an amazing story, played by an amazing actress and shot by an amazing director.
No. It’s only because she’s female and we haven’t seen a female-led movie in forever. Hm.
Just yesterday I read on a friend’s Facebook post that some person said chivalry stemmed from chauvinism and therefore should be eradicated.
SO, there’s something wrong with a man being nice to a woman.
Okay. Fair enough.
Yet, if a man behaves around a woman the same way he does around his male friends, there’s a problem. He’s barbaric; animalistic and male. You understand the confusion yet?
Pick a struggle, biko.
Let’s not go into the double-standard conversation. Let’s not go near the whole it’s-only-rape-when-its-done-by-a-man-to-a-woman gist. Let’s not talk about how it’s flirting when a woman does it, it’s sexual harassment when a man does the exact same thing. Oh, let’s leave out all of that.
Please. I’m just asking for clarity. What does gender equality mean; the equality of a species or the ‘get-out-jail-free-card for women when they are in generally inconvenient situations?
I’m just asking. And from one human to another….
Pick a fucking struggle, BIKO!
For the most part, the premise of the Fast and Furious movie franchise can be summed up in one sentence:
‘Watch; don’t think’.
It’s hard to knock a franchise that has grossed over five billion dollars and is eight movies deep. However, it is what it is. The Fast and The Furious franchise has been around for seventeen years and have collectively grossed over five billion dollars. When you consider, however that the last one (Furious 7) single-handedly grossed 1.6 billion dollars, more than the first five installments of the franchise combined, you know they (Universal) know they’re onto a good thing – and as is usual, will ride it till it can be ridden no more.
For the most part, The Fast and The Furious requires suspension of belief from the audience in spades – but never more than in the latest installment; The Fate of The Furious.
While honeymooning somewhere ‘off the grid’, Dominic Toretto (Vin Diesel) is approached by a mysterious woman who coerces him into working for her against his ‘family’.
I’m serious. That’s as far as ‘plot’ for this particular movie goes.
Fate (as I will be calling this movie from here on) opens with; (wait for it)…a street race. I mean, of all the openings F. Gary Gray, fresh off the huge success of Straight Outta Compton could have gone with, it had to be the cliché of all clichés – as far as this particular movie franchise is concerned?!
An alluring, mysterious woman; Cipher (Charlize Theron) shows up at Dom’s honeymoon destination (you get nothing for guessing where this destination is) and shows him something on a mobile phone screen, ‘something’ she believes is powerful enough to make him come and work for her – even though she’s a terrorist and he knows. Almost immediately, Dom gets a call from Agent Hobbs, asking for his help. The usual suspects (the family) are quickly rounded up again by Agent Luke Hobbs (Dwayne Johnson; The Rock) to go steal some EMP to stop it from falling into some terrorists hands – same piece of machinery Cipher needs for her ‘grand plan’. The mission is successful – only for Dom to sabotage it, steal the EMP and dump Hobbs into police hands.
Somehow, he ends up in the same prison Deckard Shaw (Jason Statham) is in…
One of the biggest issues I have with this particular outing is how short on memory everyone seems to be. Wasn’t Deckard the same dude who killed Han (Sung Kang) as revenge for his brother’s ‘death’ in the sixth film? All too suddenly, they’re forced to work together and when the team is given news of Deckard’s death, they’re actually sad.
Trust me; moments like the one I just described abound. Cipher, played with amazing detachment by Charlize Theron is another misnomer in her role. She’s the big bad in this movie, and unfortunately, she has nothing different to offer from the other ‘big bads’ in the other Fast and Furious movies. She’s a boring antagonist; it isn’t clear what she wants, she rambles a lot about nothing or pointless rhetoric, and is passionless. Her ‘kissing scene’ with Dom was just that; a bland uninspired lip-lock.
Exhale for a bit – and then, wonder with me how human hands can be used to redirect the path of a torpedo. Or how a submarine dives and resurfaces effortlessly as though it is a dolphin. Moments like those are why the description ‘mindless action’ exists.
The ‘family’ was interestingly inept in this venture; it was as though they couldn’t find any use for themselves individually. That diversity that made us love As an aside, be prepared to hate that word ‘family’. It is thrown around like so much confetti at a wedding, as though the characters need to remind themselves in their many ‘why are we doing this again?’ moments.
Roman’s (Tyrese Gibson) humor was responsible for quite a number of the laughs in the movie – and frankly, it begins to be annoying at some point. I would have loved to see more Helen Mirren who played Magdalene Shaw, and the partnership between the Shaw brothers was another good one.
All in all, for all my issues with this installment, I acknowledge the truth that Fate isn’t a bad movie. For all my knocking it, I don’t go to cinemas for ‘intellectual, life-changing’ movie experiences. I do that shit in my house.
No; I go to the cinema to be entertained and refreshed. And on that score, Fate delivers EXCELLENTLY.