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Archive for December, 2017

#RecieveSense

 

 

 

 

I’m about to share some stuff that has been on my mind for a minute. Truth is, I’m usually on the forefront of the ‘Not All Men’ argument – however, I understand there’s a time and place for everything. And really?

 

 

Shouldn’t we have some sense by now?

When you read stuff like this, you see why shit like #MenAreScum are popular.

I mean, seriously. It’s 20-fucking-18 already. And people who think like this still exist? ‘What was she wearing’? Is that the facking point? ‘She should have gone with a guy’ So. Only women with male escorts should be safe?! Do you fucking hear yourselves?!

Really. This shit has to stop. We need to be better. We need to do better. Women deserve better from us. Saddest thing is, I’m sure you guys believe in the superiority of the male. And you expect a woman to submit – to your kind of thinking?

I’ll let you in on a secret; there are some ways women dress I don’t like; there are things females wear I am not comfortable with. However, I’m a law unto myself. After all, I am ‘Seun Odukoya’ not ‘Commissioner In Charge of Skirt/Blouse Length’.

Note the use of words. ‘Don’t like’ not ‘wrong’.

I have NO right to impose my likes/dislikes on ANYONE. And it sure as hell none of my business what someone decides to put on they body. I don’t like, I look away. It’s not illegal yet.

All this ‘What was she wearing’ shit has to stop. For fuck’s sake, that shit is so 1938. Grow the fuck up. Man the fuck up. Yeah I said it. Be responsible. Equality or no, people look up to us.

We’re fathers. Brothers. Sons. Sons-in-law. We have a responsibility. Again, I say we men have to be better. We have to do better. Women deserve better.

#ReceiveSense #ItsANewDay #ResponsibleMenAndWomenHere

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Album Review: Psalmurai’s BLTN Is A Rap Classic

 

There’s the thing about rap – rap; not the inaudible ramblings that pass for it these days – it has power. Power; in that words that may or may not hold much significance individually become a pledge, an oath, a promise, a threat – whatever the wordsmith intended the listener to feel, when strung together in a witty and interesting way.

Power.

And, in the immortal words of Uncle Ben, or Stan Lee, as the case may be –

With great power –

You know the rest.

 

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Psalmurai is a rapper cut from the same cloth that birthed folks like Nas, Killah Priest, Mode9, KRS ONE and a few others. An understanding that words hold power, and therefore wordsmiths hold a responsibility to their listeners. If you’ve ever listened to anything this MC put out, the first thing that strikes you is how serious he takes his craft.

Starting out as a member of The Kalifate; now rebranded as The Brand, Psalmurai has been putting out solo work for a minute. From the critically acclaimed mixtape Grind Finale to the consistent yearly Wrap Up series (dropping since 2006) listeners have come to expect pure rhymes from this young MC.

And he’s yet to disappoint.

 

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Continuing the pattern of consistency is the latest entry in his catalogue; BLTN an acronym which stands for Better Late Than Never. Seven tracks long, tanking at twenty-six minutes, the tape is produced by MHP, a South-Africa based producer. On the first two tracks, MHP’s XYZ (super-producer, best known for his collaborative album with the great Mode9) influence is apparent – but MHP takes it a notch higher by taking the sound and making it distinctively his. Psalmurai’s bars are sharp and nimble as ever, as he spits on the opening track Dusk To Dawn;

 

Now do I gotta say I’m from the projects?

Or the ghetto in the beast like the Loch Ness?

Chick in stilettos selling sex for a lot less

Sex-working or walking around jobless

But God bless

Not my defense but offence

I’m breaking down the metal gates and the tall fence

Got nothing but smart men in my circumference

And I got what it takes to excite your girlfriend

 

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The feel of the project is introspective; he’s getting on the title track BLTN he goes;

My resolve; praise the Lord God daily

RIP to the late great Marcus Garvey

Who gave you the right, the robe and gravel to judge

We all equal under God and gravel nigga that’s deep

Six feet precisely

 

And then….he goes on further:

 

 Better late than sorry

I’ll rather say never

Instead of sounding stupid

I’d rather sound clever

But if I sound stupid to make a point

That’s clever

The wise can play the fool but –

Not vice versa

He aight – what is missing is the essence

The new school cool – what is missing is the lessons

I want Kalifa high, DJ Khaled blessings

But before God bless us – first He gon’ test us

 

There’s a confidence in Psalmurai’s delivery; he’s basically a ronin walking down a familiar path. For old listeners, it’s a known journey, for new listeners it’s a proper introduction. On Django, he’s does a bit of battling – all the time reminding his audience of his authenticity. And then, the tape kind of switches to the b-side, which has Psalmurai dabbling with some issues and storytelling.

 

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On Single, he balances rhyming with objectivity about the pressure the sexes go through:

She got it, yeah yeah she got it

Front to back she got – she a goddess

Mulatto got me hooked to be honest

She fine you cannot be fine beyond this

More stairs no; skyscraper

Oh boy! She’s been single for the longest

Like a thousand men, trying to date her

Makes it hard to pick and choose who the one is

She fine; ah-yeah yeah she the finest

Broke niggas too broke for her highness

Rich not rich enough for her highness

That is not the facts now let me digress

 

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Rhymes like that is what is missing from rap these days; thought-provoking, challenging and memorable words. Words that create pictures that linger in the mind – long after the record has stopped spinning.

 

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NHICT (No Heroes In Capetown) is the story of the search for greener pastures; a story that ends sourly for our lead character, Johnny who falls victim to Xenophobia.

Traveler is a chronicle of Psalm’s journey; how far he’s come and how he moves in his mind. Maka drops a stirring hook that makes me feel as though they need to collaborate more. Posse Cut has a number of rappers dropping bars that, while lackluster in points, are strong enough to round off the project.

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BLTN is a strong entry into a genre that is going through an evolution; recreating itself for an audience with less and less of an attention span. I believe in Psalmurai.

And if you enjoy rap, you should too.

 

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Visit: https://soundcloud.com/psalmurai to listen to and download BLTN.